North Korean anti-american propaganda
Pubblicato: 29 aprile, 2010 Filed under: grafica/illustrazione/fumetto Lascia un commento »via popgive.com
via calitreview.com
Laurie Lipton @ Grand Gentral Art Center Museum
Pubblicato: 25 aprile, 2010 Filed under: lipton laurie, segnalazioni Lascia un commento »
Laurie Lipton
WEAPONS OF MASS DELUSIONS
May 1 – June 13, 2010
Grand Central Art Center Museum Show
see more @ copronason.com
Grafica Liberty
Pubblicato: 22 aprile, 2010 Filed under: grafica/illustrazione/fumetto Lascia un commento »
Umberto Bottazzi, Emporium, copertina, 1899
Giovanni Maria Mataloni, Società Anonima per la Incandescenza a gas, 1895
Leopoldo Metlicovitz, Madame butterfly, 1904
Achille Beltrame, Loden Dal Brun, 1901
Marcello Dudovich, Cordial Campari
Adolfo Hohenstein, Chiozza e Turchi Fabbrica di Saponi, 1899
many more images @ arteliberty.it
Modernist posters
Pubblicato: 19 aprile, 2010 Filed under: grafica/illustrazione/fumetto Lascia un commento »
Franz Von Stuck, Internationale Hygiene Ausstellung Dresden, 1911
Josef Fenneker (attributed to), The dance of death, 1919
René Magritte, La marche des snobs, 1924
Designer unknown, Chinese propaganda, 1970s
via catalogue.swanngalleries.com
Jean Jacques Lequeu
Pubblicato: 17 aprile, 2010 Filed under: arte, grafica/illustrazione/fumetto, lequeu jean-jacques Lascia un commento »
Le grand baailleur
Self-portrait
Mikhail O. Dlugach
Pubblicato: 12 aprile, 2010 Filed under: grafica/illustrazione/fumetto, mikhail o. Lascia un commento »
via elite-view.com
Tsena zhizni (The Price of Life), 1940
via modernisminc.com
Henry Darger @ American Folk Art Museum
Pubblicato: 4 aprile, 2010 Filed under: art brut, arte, darger henry, segnalazioni Lascia un commento »
The Private Collection of Henry Darger
April 6–September 19, 2010
American Folk Art Museum
more info: folkartmuseum.org/dargerprivatecollection
What Henry Darger displayed on the walls of his apartment in the Lincoln Park neighborhood of Chicago is on public view, for the first time, in the exhibition The Private Collection of Henry Darger, from April 6 through September 19, 2010. Brooke Davis Anderson, curator and director of The Contemporary Center and the Henry Darger Study Center, has selected nearly 40 cardboard collages from the more than 80 in Darger’s personal collection that are now part of the American Folk Art Museum’s holdings. These are the artworks that Darger lived with and saw every day.
Like many practicing artists, Darger surrounded himself with his own production. Modestly scaled, executed with simple supplies on readily available material, reclaimed and repurposed, the collages are framed in inventive ways. The images are also surprising. “They illustrate a previously unexplored aspect of Dargerís creative world,” notes Ms. Anderson. Rather than the familiar large-scale, scroll-like, brightly colored landscapes, battle scenes, and weather-related watercolors, these intimate works are primarily portraits: faces of girls and boys, men and women. The countless images of people were cut from newspapers, magazine illustrations, coloring book pages, and photographic enlargements.
Darger used cardboard and other found boards as his backing and layered the images densely in a collage technique. He often framed images with Christmas Seal stamps. Less frequently, he encased his composition in wax paper strengthened by medical tape, mirroring more conventional framing methods and materials. Because of the fragile nature of newsprint and paper and the deleterious effects of the coal-burning stove in his apartment, both inherent vices, the collages exude a patina of age and use (continue reading @ artdaily.org)
Untitled (Two Girls and a Dog Sitting in Garden), 1959
Untitled (Religious Collage with Madonna and child)
















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