James Edward Deeds and Daniel Johnston on view at Collection de l’Art Brut
Pubblicato: 10 marzo, 2013 Archiviato in: art brut, arte, deeds james edward, johnston daniel | Tags: art, art brut, collection de l'art brut, daniel johnston, james edward deeds, lausanne Lascia un commento »
Two simultaneous solo exhibitions at the Collection de l’Art Brut of Lausanne (CH)
James Edward Deeds
15.03.2013 – 30.06.2013
Daniel Johnston
Welcome to my world!
15.03.2013 – 30.06.2013
JJ Cromer
Pubblicato: 16 ottobre, 2012 Archiviato in: art brut, arte, jj cromer | Tags: jj cromer, outsider art Lascia un commento »
[Thanks to Cotone Nero for the suggestion]
Aloïse
Pubblicato: 16 maggio, 2012 Archiviato in: aloïse (aloïse corbaz), art brut | Tags: aloïse, aloïse corbaz, art brut, collection de l'art brut, lausanne, musée cantonal des beaux arts Lascia un commento »
Aloïse
Le ricochet solaire
Musée Cantonal des Beaux-Arts de Lausanne: du 02.06.2012 au 26.08.2012
Collection de l’Art Brut: du 02.06.2012 au 28.10.2012
En collaboration avec la Fondation Aloïse
Miracle & Charms @ Wellcome Collection
Pubblicato: 28 novembre, 2011 Archiviato in: art brut, arte | Tags: art, art brut, exhibition, miracle & charms, wellcome collection Lascia un commento »
Miracles & Charms
Two free exhibitions exploring faith, hope and chance
6 October 2011 – 26 February 2012
Wellcome Collection
Wellcome Collection’s autumn exhibition programme explores the extraordinary in the everyday with two shows: Infinitas Gracias: Mexican miracle paintings, the first major display of Mexican votive paintings outside Mexico; and Felicity Powell: Charmed Life, an exhibition of unseen London amulets from Henry Wellcome’s collection, selected and arranged by the artist Felicity Powell. Drawing lines between faith, mortality and healing, Miracles & Charms offers a poignant insight into the tribulations of daily life and human responses to chance and suffering… (continue reading)
A selection of images from the exhibition

On 1 September 1937 I was attacked and wounded in my face and as a result I became ill and had to have an operation in a hospital in Monterrey. I asked Saint Francis of Real de Catorce with all my faith for my recovery, promising him this retablo. (Juan M. Perez).

I thank God and Saint Francis of Assisi because on this day, 25 years ago, I was saved after receiving 4 bullet shots in the city of San Luis Potosi, SLP.

I dedicate this retablo to Saint Francis of Assisi in memory of the miracle done after he saved me from a strong haemorrhage…I thank him with all my heart…

I thank Saint Francis of Assisi for saving me from this accident after being 63 days in hospital in the area of Monterrey, Nuevo León. (Sr. Irineo Ramos)
Guo Fengyi @ Collection de l’Art Brut de Lausanne
Pubblicato: 12 novembre, 2011 Archiviato in: art brut, arte, guo fengy | Tags: art brut, china, collection de l'art brut, guo fengyi, swiss Lascia un commento »
Guo Fengyi
18.11.2011 – 29.04.2010
Vernissage le jeudi 17 novembre à 18h30
Collection de l’Art Brut
11, av. des Bergières
CH – 1004 Lausanne
Les peintures majestueuses de Guo Fengyi sont pareilles à des étendards poétiques. Les grands rouleaux de plusieurs mètres de haut présentent des figures historiques, ou ancestrales et divines, dont les visages, féeriques ou monstrueux, apparaissent au cœur de subtils entrelacs témoignant d’une finesse et d’un raffinement hors du commun. La thématique qui domine toute la production de la créatrice chinoise est le corps humain. Les sujets s’entremêlent en un réseau de traits et d’arabesques qui se succèdent et s’apparentent à des fils brodés. Sa quête spirituelle occupe une place primordiale dans son univers graphique… (continuez à lire)
Untitled, 2007
Untitled, 1992
Blackstock on view @ Collection de l’Art Brut
Pubblicato: 17 settembre, 2011 Archiviato in: art brut, arte, blackstock gregory l. | Tags: art, art brut, gregory l. blackstock Lascia un commento »
Blackstock
30 september 2011 – 11 february 2012
Vernissage: 29 september 2011 – 6h30 pm
Collection de l’Art Brut
Lausanne – CH
Gregory L. Blackstock catalogues the world into pictorial lists. All have in common their clean lines, factual calligraphy and careful grouping dishwasher, Gregory L. Blackstock (1946) is an autistic savant who took up drawing at the age of forty. Currently retired, he lives in Seattle, Washington. (From the press release. Read more – in french – here)
Henry Darger @ American Folk Art Museum
Pubblicato: 4 aprile, 2010 Archiviato in: art brut, arte, darger henry, segnalazioni Lascia un commento »
The Private Collection of Henry Darger
April 6–September 19, 2010
American Folk Art Museum
more info: folkartmuseum.org/dargerprivatecollection
What Henry Darger displayed on the walls of his apartment in the Lincoln Park neighborhood of Chicago is on public view, for the first time, in the exhibition The Private Collection of Henry Darger, from April 6 through September 19, 2010. Brooke Davis Anderson, curator and director of The Contemporary Center and the Henry Darger Study Center, has selected nearly 40 cardboard collages from the more than 80 in Darger’s personal collection that are now part of the American Folk Art Museum’s holdings. These are the artworks that Darger lived with and saw every day.
Like many practicing artists, Darger surrounded himself with his own production. Modestly scaled, executed with simple supplies on readily available material, reclaimed and repurposed, the collages are framed in inventive ways. The images are also surprising. “They illustrate a previously unexplored aspect of Dargerís creative world,” notes Ms. Anderson. Rather than the familiar large-scale, scroll-like, brightly colored landscapes, battle scenes, and weather-related watercolors, these intimate works are primarily portraits: faces of girls and boys, men and women. The countless images of people were cut from newspapers, magazine illustrations, coloring book pages, and photographic enlargements.
Darger used cardboard and other found boards as his backing and layered the images densely in a collage technique. He often framed images with Christmas Seal stamps. Less frequently, he encased his composition in wax paper strengthened by medical tape, mirroring more conventional framing methods and materials. Because of the fragile nature of newsprint and paper and the deleterious effects of the coal-burning stove in his apartment, both inherent vices, the collages exude a patina of age and use (continue reading @ artdaily.org)
Untitled (Two Girls and a Dog Sitting in Garden), 1959
Untitled (Religious Collage with Madonna and child)
Ian Pyper
Pubblicato: 22 marzo, 2010 Archiviato in: art brut, pyper ian Lascia un commento »via outsiderart.info
stephen (jesus and mary) palmer
Pubblicato: 10 febbraio, 2010 Archiviato in: art brut, palmer stephen (jesus and mary) Lascia un commento »

































