James Edward Deeds and Daniel Johnston on view at Collection de l’Art Brut



Two simultaneous solo exhibitions at the Collection de l’Art Brut of Lausanne (CH)

artbrut.ch


James Edward Deeds

 15.03.2013 – 30.06.2013 

more info


jamesedwarddeeds


jamesedwarddeeds02



Daniel Johnston

Welcome to my world!

15.03.2013 – 30.06.2013 


more info

 

 

danieljohnston02

 

danieljohnston03

 




Morton Bartlett @ Collection de l’Art Brut



 

MORTON BARTLETT


November 23, 2012 > April 14, 2013

Vernissage

November 22, 2012, 6:30pm

with Claudia Dichter and Marion Harris in attendance

Exhibition Curator
Claudia Dichter


COLLECTION DE L’ART BRUT LAUSANNE

artbrut.ch



 

The Collection de l’Art Brut proudly presents, jointly with the Hamburger Bahnhof – Museum für Gegenwart (Contemporary Art Museum), Berlin, a first European solo show devoted to the American Art Brut creator Morton Bartlett (1909-1992). Initially featured in Berlin, the show now travels to Lausanne.

In 1996, the New York gallery owner Marion Harris donated forty-two Morton Bartlett works to the Collection de l’Art Brut. This significant body of lead pencil drawings also includes various plaster sculptures depicting children–such as two little girls—as well as studies of ears and feet, a dental mold, faces bearing a variety of expressions, painstakingly detailed sets of clothing and black-and-white photographs printed from the original negatives. Morton Bartlett produced all of these pieces over a period of twenty-seven years, from 1936 to 1963. In fact, Bartlett lent substance to a reconstituted family rooted in childhood. His entire oeuvre, which was discovered in his home after his death at eighty-three, was conceived for personal ends, so that none of it ever went on public display during his lifetime. The Collection de l’Art Brut holds the major share of his production, but the Metropolitan Museum of Art in New York and the Museum of Modern Art in San Francisco both possess a number of his photographs… (continue reading)



Untitled, between 1936 and 1965


Untitled, between 1936 and 1965


other images on the net:


Untitled, Seated Girl with Straw Hat, 1950-60 c.

: 10000lives.org


Girl in a yellow sunsuit, 1955

:  parisphoto.com


Untitled, 1950s

: duchessofcorbin.blogspot.com


Two nude dolls

: arttattler.com




JJ Cromer



A word in his shaggy ear, 2012




Axions knot wurlds, 2011




After the solar flare in 2013, 2010




All you need to enjoy the savings, 2009




When our fights are accidental, 2008




He makes us useful, 2007




Elephant Mountain 19, 2006




The change of air, 2005




Microptica 29, 2003-04




Picnic II, 2000-2004



www.jjcromer.com


[Thanks to Cotone Nero for the suggestion]





Aloïse


Aloïse

Le ricochet solaire


Musée Cantonal des Beaux-Arts de Lausanne: du 02.06.2012 au 26.08.2012

Collection de l’Art Brut: du 02.06.2012 au 28.10.2012


En collaboration avec la Fondation Aloïse


artbrut.ch




Enlevement d’une mariée de Gaule, 1947 circa




C’est Noël, 1946-47





Miracle & Charms @ Wellcome Collection


Miracles & Charms

Two free exhibitions exploring faith, hope and chance


6 October 2011 – 26 February 2012


Wellcome Collection


wellcomecollection.org



Wellcome Collection’s autumn exhibition programme explores the extraordinary in the everyday with two shows: Infinitas Gracias: Mexican miracle paintings, the first major display of Mexican votive paintings outside Mexico; and Felicity Powell: Charmed Life, an exhibition of unseen London amulets from Henry Wellcome’s collection, selected and arranged by the artist Felicity Powell. Drawing lines between faith, mortality and healing, Miracles & Charms offers a poignant insight into the tribulations of daily life and human responses to chance and suffering… (continue reading)




A selection of images from the exhibition


On 1 September 1937 I was attacked and wounded in my face and as a result I became ill and had to have an operation in a hospital in Monterrey. I asked Saint Francis of Real de Catorce with all my faith for my recovery, promising him this retablo. (Juan M. Perez).




I thank God and Saint Francis of Assisi because on this day, 25 years ago, I was saved after receiving 4 bullet shots in the city of San Luis Potosi, SLP.




I dedicate this retablo to Saint Francis of Assisi in memory of the miracle done after he saved me from a strong haemorrhage…I thank him with all my heart…




I thank Saint Francis of Assisi for saving me from this accident after being 63 days in hospital in the area of Monterrey, Nuevo León. (Sr. Irineo Ramos)






Guo Fengyi @ Collection de l’Art Brut de Lausanne


Guo Fengyi


18.11.2011 – 29.04.2010

Vernissage le jeudi 17 novembre à 18h30



Collection de l’Art Brut

11, av. des Bergières
CH – 1004 Lausanne


artbrut.ch



Les peintures majestueuses de Guo Fengyi sont pareilles à des étendards poétiques. Les grands rouleaux de plusieurs mètres de haut présentent des figures historiques, ou ancestrales et divines, dont les visages, féeriques ou monstrueux, apparaissent au cœur de subtils entrelacs témoignant d’une finesse et d’un raffinement hors du commun. La thématique qui domine toute la production de la créatrice chinoise est le corps humain. Les sujets s’entremêlent en un réseau de traits et d’arabesques qui se succèdent et s’apparentent à des fils brodés. Sa quête spirituelle occupe une place primordiale dans son univers graphique… (continuez à lire)



Untitled, 2007


Untitled, 1992





Blackstock on view @ Collection de l’Art Brut


Blackstock


30 september 2011  – 11 february 2012

Vernissage: 29 september 2011 – 6h30 pm



Collection de l’Art Brut

Lausanne – CH


artbrut.ch



Gregory L. Blackstock catalogues the world into pictorial lists. All have in common their clean lines, factual calligraphy and careful grouping dishwasher, Gregory L. Blackstock (1946) is an autistic savant who took up drawing at the age of forty. Currently retired, he lives in Seattle, Washington. (From the press release. Read more – in french – here)









Henry Darger @ American Folk Art Museum


The Private Collection of Henry Darger


April 6–September 19, 2010


American Folk Art Museum


folkartmuseum.org


more info: folkartmuseum.org/dargerprivatecollection



What Henry Darger displayed on the walls of his apartment in the Lincoln Park neighborhood of Chicago is on public view, for the first time, in the exhibition The Private Collection of Henry Darger, from April 6 through September 19, 2010. Brooke Davis Anderson, curator and director of The Contemporary Center and the Henry Darger Study Center, has selected nearly 40 cardboard collages from the more than 80 in Darger’s personal collection that are now part of the American Folk Art Museum’s holdings. These are the artworks that Darger lived with and saw every day.

Like many practicing artists, Darger surrounded himself with his own production. Modestly scaled, executed with simple supplies on readily available material, reclaimed and repurposed, the collages are framed in inventive ways. The images are also surprising. “They illustrate a previously unexplored aspect of Dargerís creative world,” notes Ms. Anderson. Rather than the familiar large-scale, scroll-like, brightly colored landscapes, battle scenes, and weather-related watercolors, these intimate works are primarily portraits: faces of girls and boys, men and women. The countless images of people were cut from newspapers, magazine illustrations, coloring book pages, and photographic enlargements.

Darger used cardboard and other found boards as his backing and layered the images densely in a collage technique. He often framed images with Christmas Seal stamps. Less frequently, he encased his composition in wax paper strengthened by medical tape, mirroring more conventional framing methods and materials. Because of the fragile nature of newsprint and paper and the deleterious effects of the coal-burning stove in his apartment, both inherent vices, the collages exude a patina of age and use (continue reading @ artdaily.org)



Untitled (Two Girls and a Dog Sitting in Garden), 1959



Untitled (Religious Collage with Madonna and child)





Ian Pyper






















via outsiderart.info


myspace.com/ianpypertoo




stephen (jesus and mary) palmer


h#5, 1950-65 c.



h#44, 1950-65 c.



h#84, 1950-65 c.



via hammergallery.com




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