L’ange du bizarre. Le romantisme noir de Goya à Max Ernst

L’ange du bizarre. Le romantisme noir de Goya à Max Ernst

The Angel of the Odd. Dark Romanticism from Goya to Max Ernst

5 March – 9 June 2013

Musée d’Orsay – Paris

musee-orsay.fr

It was in the 1930s that the Italian writer and art historian Mario Praz (1896-1982) first highlighted the dark side of Romanticism, thus naming a vast swathe of artistic creation, which from the 1760s onwards exploited the shadows, excesses and irrational elements that lurked behind the apparent triumph of enlightened Reason.

This world was created in the English Gothic novels of the late 18th century, a genre of literature that fascinated the public with its penchant for the mysterious and the macabre. The visual arts quickly followed suit: many painters, engravers and sculptors throughout Europe vied with the writers to create horrifying and grotesque worlds: Goya and Géricault presented us with the senseless atrocities of war and the horrifying shipwrecks of their time, Füssli and Delacroix gave substance to the ghosts, witches and devils of Milton, Shakespeare and Goethe, whereas C.D. Friedrich and Carl Blechen cast the viewer into enigmatic, gloomy landscapes, reflecting his fate… [continue reading]

Eugène Delacroix, Mephistopheles in the air, illustration for Faust, 1828

Franz Von Stuck, The Sin, 1893

Julien-Adolphe Duvocelle, Ogling skull

Anonymous, Spiritualist photography, 1910 circa

Jacques-André Boiffard – Renée Jacobi, 1930